Primary
members: Morrissey, Johnny Marr, Andy Rourke, Mike Joyce Band
Biography
Albums of focus: The Smiths (1984), Hatful of Hollow
(1984), Louder Than Bombs (1987); Morrissey's Viva
Hate* (1987) and Your Arsenal** (1992)
I
decree today that life
Is simply taking and not giving
England is mine - it owes me a living
But ask me why, and I'll spit in your eye
Oh, ask me why, and I'll spit in your eye
But we cannot cling to the old dreams anymore
No, we cannot cling to those dreams
Does
the body rule the mind
Or does the mind rule the body ?
I dunno...
Under
the iron bridge we kissed
And although I ended up with sore lips
It just wasn't like the old days anymore
No, it wasn't like those days
Am I still ill ?
Oh ...
Am I still ill ?
Oh ...
Does
the body rule the mind
Or does the mind rule the body ?
I dunno...
Ask
me why, and I'll die
Oh, ask me why, and I'll die
And if you must go to work tomorrow
Well, if I were you I really wouldn't bother
For there are brighter sides to life
And I should know, because I've seen them
But not very often ...
Under the iron bridge we kissed
And although I ended up with sore lips
It just wasn't like the old days anymore
No, it wasn't like those days
Am I still ill ?
Oh ...
Oh, am I still ill ?
Oh ...
Key: Myra Hindley and
lover Ian Brady abducted and murdered several small
children in and around Manchester during the 1960s
(see class website link to "Moors Murders").
They buried several bodies on Saddleworth Moor, north
of Manchester. Morrissey was the same age as several
of the victims, like Lesley Anne Downey and John Kilbride,
alluded to in the song.
"I happened to live
on the streets where, close by, some of the victims
had been picked up. Within that community, news of
the crimes totally dominated all attempts at conversation
for quite a few years. It was like the worst thing
that had ever happened, and I was very, very aware
of everything that occurred. Aware as a child who
could have been a victim. All the details... You see
it was all so evil; it was, if you can understand
this, ungraspably evil. When something reaches that
level it becomes almost... almost absurd really. I
remember it at times like I was living in a soap opera..."
- Morrissey discussing
the Moors Murders, The Face, 1985
Over
the moor, take me to the moor
Dig a shallow grave
And I'll lay me down
Over
the moor, take me to the moor
Dig a shallow grave
And I'll lay me down
Lesley-Anne,
with your pretty white beads
Oh John, you'll never be a man
And you'll never see your home again
Oh Manchester, so much to answer for
Edward,
see those alluring lights ?
Tonight will be your very last night
A
woman said : "I know my son is dead
I'll never rest my hands on his sacred head"
Hindley
wakes and Hindley says :
Hindley wakes, Hindley wakes, Hindley wakes, and says :
"Oh, wherever he has gone, I have gone"
But
fresh lilaced moorland fields
Cannot hide the stolid stench of death
Fresh lilaced moorland fields
Cannot hide the stolid stench of death
Hindley
wakes and says :
Hindley wakes, Hindley wakes, Hindley wakes, and says :
"Oh, whatever he has done, I have done"
But
this is no easy ride
For a child cries :
"Oh,
find me ... find me, nothing more
We are on a sullen misty moor
We may be dead and we may be gone
But we will be, we will be, we will be, right by your side
Until the day you die
This is no easy ride
We will haunt you when you laugh
Yes, you could say we're a team
You might sleep
You might sleep
You might sleep
BUT YOU WILL NEVER DREAM !
Oh, you might sleep
BUT YOU WILL NEVER DREAM !
You might sleep
BUT YOU WILL NEVER DREAM !"
Oh
Manchester, so much to answer for
Oh Manchester, so much to answer for
Oh,
find me, find me !
Find me !
I'll haunt you when you laugh
Oh, I'll haunt you when you laugh
You might sleep
BUT YOU WILL NEVER DREAM !
Oh ...
Over the moors, I'm on the moor
Oh, over the moor
Oh, the child is on the moor
Every
day you must say
So, how do I feel about my life?
Anything is hard to find
When you will not open your eyes
When will you accept yourself?
I
am sick and I am dull
And I am plain
How dearly I'd love to get carried away
Oh, but dreams have a knack of just not coming true
And time is against me now...oh
Oh,
who and what to blame?
Oh, anything is hard to find
When you will not open your eyes
When will you accept yourself, for heaven's sake?
Anything is hard to find
When you will not open your eyes
Every day you must say
Oh, how do I feel about the past?
Others
conquered love - but I ran
I sat in my room and I drew up a plan
Oh, but plans can fall through (as so often they do)
And time is against me now...
And
there's no one left to blame
Oh, tell me when will you ...
When will you accept your life?
(The one that you hate)
For anything is hard to find
When you will not open your eyes
Every day you must say
Oh, how do I feel about my shoes?
They
make me awkward and plain
How dearly I would love to kick with the fray ...
But I once had a dream
(and it never came true)
And time is against me now...
Time is against me now...
And
there's no one but yourself to blame
Oh, anything is hard to find
When you will not open your eyes
Anything is hard to find; for heaven's sake!
Anything is hard to find
When you will not open your eyes
When will you accept yourself?
When?
When?
When?
When?
Note: Morrissey wrote this song as
a response to DJ Steve Wright's insensitive placing
of Wham's vacuous "I'm Your Man" directly
after a news report of the horrible Chernobyl disaster.
Done live, Morrissey often twirled a noose around,
wearing a T-shirt with the "zany" Steve
Wright's face stamped, like a passport, with "HANG
THE DJ." This song often prompted Morrissey to
discourse on his hatred of "puerile" dance
music, which he refers to in this song. (source: It
May All End Tomorrow web)
Panic
on the streets of London
Panic on the streets of Birmingham
I wonder to myself
Could life ever be sane again ?
The Leeds side-streets that you slip down
I wonder to myself
Hopes may rise on the Grasmere
But Honey Pie, you're not safe here
So you run down
To the safety of the town
But there's Panic on the streets of Carlisle
Dublin, Dundee, Humberside
I wonder to myself
Burn
down the disco
Hang the blessed DJ
Because the music that they constantly play
It says nothing to me about my life
Hang the blessed DJ
Because the music they constantly play
On
the Leeds side-streets that you slip down
Provincial towns you jog 'round
Hang the DJ, Hang the DJ, Hang the DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG
THE DJ, HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG THE DJ
On the high-rise estates
What's at the back of your mind?
Oh, the three-day debate on a high-rise estates
What's at the back of your mind?
Two
icy-cold hands conducting the way
It's the Eskimo blood in my veins
Amid concrete and clay
And general decay
Nature must still find a way
So ignore all the codes of the day
Let your juvenile impulses sway
This way and that way
This way, that way
God, how sex implores you
To let yourself lose yourself
Stretch
out and wait
Stretch out and wait
Let your puny body lie down, lie down
As we lie, you say
As we lie, you say
Stretch out and ...
Stretch out and wait
Stretch out and wait
Let your puny body lie down, lie down
As
we lie, you say :
Will the world end in the night time?
(I really don't know)
Or will the world end in the day time?
(I really don't know)
And is there any point ever having children?
(Oh, I don't know)
All I do know is we're Here and it's Now
So
... stretch out and wait
Stretch out and wait
There is no debate, no debate, no debate
How can you conciously contemplate
When there's no debate, no debate?
Stretch out and wait
Stretch out and wait
Stretch out and wait
Wait
Wait
Wait
Wait...
Is it wrong to want to live on your own?
No, it's not wrong--but I must know
How can someone so young
Sing words so sad?
Sheila
take a, Sheila take a bow
Boot the grime of this world in the crotch, dear
And don't go home tonight
Come out and find the one that you love and who loves you
Is
it wrong not to always be glad?
No, it's not wrong--but I must add
How can someone so young
Sing words so sad?
Sheila
take a, Sheila take a bow
Boot the grime of this world in the crotch, dear
And don't go home tonight
Come out and find the one that you love and who loves you
Take
my hand and off we stride
Oh, la la la la-la la la
You're a girl and I'm a boy
Oh, la la la la-la la la
Take my hand and off we stride
Oh, la la la la-la la la
I'm a girl and you're a boy
Sheila
take a, Sheila take a bow
Oh, la la la la-la la la
Throw your homework into the fire
Come out and find the one you love
Come out and find the one that you love
I would rather not go
Back to the old house
I would rather not go
Back to the old house
There's too many
Bad memories
Too many memories
There ...
There ...
There ...
When
you cycled by
Here began all my dreams
The saddest thing I've ever seen
And you never knew
How much I really liked you
Because I never even told you
Oh, and I meant to
Are
you still there ?
Or ... have you moved away ?
Or have you moved away ?
Oh ...
I
would love to go
Back to the old house
But I never will
I never will ...
I never will ...
I never will ...
Note: This song is a cover of a Cilla
Black song, and it is one of many songs that shows
the strong influence that 1960s women singers had
on Morrissey.
Loving you is driving me crazy
People say that you were born lazy
'Cause you say that
Work Is A Four-Letter Word
So
change your life
There is so much I know
That you can do
Come and see ...
Wide-awake
And take all of this love
That is waiting for you
If
you stay
I'll stay right beside you
And my love
May help to remind you
To forget that
Work Is A Four-Letter Word
I
don't need
A house that's a showplace
I just feel
That we're going no place
While you say that
Work Is A Four-Letter Word
So
change your life
There is so much I know
You can do
Come and see ...
Wide-awake
And take all of this love
That is waiting for you
If
you stay
I'll stay right beside you
And my love
Might help to remind you
To forget that
Work Is A Four-Letter Word
Oh ...
I
don't need
A house that's a showplace
I just feel
That we're going no place
While you say that
Work Is A Four-Letter Word
So
change your life
There is so much I know
That you can do
Please come and see ...
Wide-awake
And take all of this love
That is waiting for you
Note: This song is an
obvious pointed attack on then British PM Margaret
Thatcher. As a result of the song, Morrissey's flat
was searched by the police. He documented this moment
in a later song, "He Knows I'd Love to See Him":
Oh, my name still conjures
up deadly deeds
And a bad taste in the mouth
And the police - they actually know me
They said :
"You're just another
person in the world
You're just another fool with radical views
You're just another who has maddening views ...
The kind people
Have a wonderful dream
Margaret On The Guillotine
Cause people like you
Make me feel so tired
When will you die ?
When will you die ?
When will you die ?
When will you die ?
When will you die ?
And
people like you
Make me feel so old inside
Please die
And
kind people
Do not shelter this dream
Make it real
Make the dream real
Make the dream real
Make it real
Make the dream real
Make it real
David, the wind blows
The wind blows ...
Bits of your life away
Your friends all say ...
"Where is our boy ? Oh, we've lost our boy"
But they should know
Where you've gone
Because again and again you've explained that
You're going to ...
Oh,
you're going to ...
Yeah, yeah, yeah, yeah
England for the English !
England for the English !
David,
the winds blow
The winds blow ...
All of my dreams away
And I still say :
"Where is our boy ? Ah, we've lost our boy"
But I should know
Why you've gone
Because again and again you've explained
You've gone to the ...
National,
ah ...
To the National ..
There's a country; you don't live there
But one day you would like to
And if you show them what you're made of
Oh, then you might do ...
But
David, we wonder
We wonder if the thunder
Is ever really gonna begin
Begin, begin
Your mom says :
"I've lost my boy"
But she should know
Why you've gone
Because again and again you've explained
You've gone to the :
National
To the National
To the National Front Disco
Because you want the day to come sooner
You want the day to come sooner
You want the day to come sooner
When you've settled the score
Oh,
the National
Oh, the National
Oh, the National
Oh, the National
Oh, the National