The Smiths & Morrissey

Primary members: Morrissey, Johnny Marr, Andy Rourke, Mike Joyce
Band Biography
Albums of focus: The Smiths (1984), Hatful of Hollow (1984), Louder Than Bombs (1987); Morrissey's Viva Hate* (1987) and Your Arsenal** (1992)

Songs for study:

"You've Got Everything Now" (Live, at The Hacienda, Manchester, July 1983)


 

"You've Got Everything Now" (Live, at The Hacienda, Manchester, July 1983)


"Still Ill" - from The Smiths (1984)

 

I decree today that life
Is simply taking and not giving
England is mine - it owes me a living
But ask me why, and I'll spit in your eye
Oh, ask me why, and I'll spit in your eye
But we cannot cling to the old dreams anymore
No, we cannot cling to those dreams

Does the body rule the mind
Or does the mind rule the body ?
I dunno...

Under the iron bridge we kissed
And although I ended up with sore lips
It just wasn't like the old days anymore
No, it wasn't like those days
Am I still ill ?
Oh ...
Am I still ill ?
Oh ...

Does the body rule the mind
Or does the mind rule the body ?
I dunno...

Ask me why, and I'll die
Oh, ask me why, and I'll die
And if you must go to work tomorrow
Well, if I were you I really wouldn't bother
For there are brighter sides to life
And I should know, because I've seen them
But not very often ...
Under the iron bridge we kissed
And although I ended up with sore lips
It just wasn't like the old days anymore
No, it wasn't like those days
Am I still ill ?
Oh ...
Oh, am I still ill ?
Oh ...

 

"Suffer Little Children" - from The Smiths (1984)

Key: Myra Hindley and lover Ian Brady abducted and murdered several small children in and around Manchester during the 1960s (see class website link to "Moors Murders"). They buried several bodies on Saddleworth Moor, north of Manchester. Morrissey was the same age as several of the victims, like Lesley Anne Downey and John Kilbride, alluded to in the song.

"I happened to live on the streets where, close by, some of the victims had been picked up. Within that community, news of the crimes totally dominated all attempts at conversation for quite a few years. It was like the worst thing that had ever happened, and I was very, very aware of everything that occurred. Aware as a child who could have been a victim. All the details... You see it was all so evil; it was, if you can understand this, ungraspably evil. When something reaches that level it becomes almost... almost absurd really. I remember it at times like I was living in a soap opera..."

- Morrissey discussing the Moors Murders, The Face, 1985

Over the moor, take me to the moor
Dig a shallow grave
And I'll lay me down

Over the moor, take me to the moor
Dig a shallow grave
And I'll lay me down

Lesley-Anne, with your pretty white beads
Oh John, you'll never be a man
And you'll never see your home again
Oh Manchester, so much to answer for

Edward, see those alluring lights ?
Tonight will be your very last night

A woman said : "I know my son is dead
I'll never rest my hands on his sacred head"

Hindley wakes and Hindley says :
Hindley wakes, Hindley wakes, Hindley wakes, and says :
"Oh, wherever he has gone, I have gone"

But fresh lilaced moorland fields
Cannot hide the stolid stench of death
Fresh lilaced moorland fields
Cannot hide the stolid stench of death

Hindley wakes and says :
Hindley wakes, Hindley wakes, Hindley wakes, and says :
"Oh, whatever he has done, I have done"

But this is no easy ride
For a child cries :

"Oh, find me ... find me, nothing more
We are on a sullen misty moor
We may be dead and we may be gone
But we will be, we will be, we will be, right by your side
Until the day you die
This is no easy ride
We will haunt you when you laugh
Yes, you could say we're a team
You might sleep
You might sleep
You might sleep
BUT YOU WILL NEVER DREAM !
Oh, you might sleep
BUT YOU WILL NEVER DREAM !
You might sleep
BUT YOU WILL NEVER DREAM !"

Oh Manchester, so much to answer for
Oh Manchester, so much to answer for

Oh, find me, find me !
Find me !
I'll haunt you when you laugh
Oh, I'll haunt you when you laugh
You might sleep
BUT YOU WILL NEVER DREAM !
Oh ...
Over the moors, I'm on the moor
Oh, over the moor
Oh, the child is on the moor

"Heavens Knows I'm Miserable Now" - from Hatful of Hollow (1984)

I was happy in the haze of a drunken hour
But heaven knows I'm miserable now

I was looking for a job, and then I found a job
And heaven knows I'm miserable now

In my life
Why do I give valuable time
To people who don't care if I live or die?

Two lovers entwined pass me by
And heaven knows I'm miserable now

I was looking for a job, and then I found a job
And heaven knows I'm miserable now

In my life
Oh, why do I give valuable time
To people who don't care if I live or die?

What she asked of me at the end of the day
Caligula would have blushed

"You've been in the house too long," she said
And I naturally fled

In my life
Why do I smile
At people who I'd much rather kick in the eye?

I was happy in the haze of a drunken hour
But heaven knows I'm miserable now

"You've been in the house too long," she said
And I naturally fled

In my life
Why do I give valuable time
To people who don't care if I live or die?

 

"Accept Yourself" - from Hatful of Hollow (1984)

Every day you must say
So, how do I feel about my life?
Anything is hard to find
When you will not open your eyes
When will you accept yourself?

I am sick and I am dull
And I am plain
How dearly I'd love to get carried away
Oh, but dreams have a knack of just not coming true
And time is against me now...oh

Oh, who and what to blame?
Oh, anything is hard to find
When you will not open your eyes
When will you accept yourself, for heaven's sake?
Anything is hard to find
When you will not open your eyes
Every day you must say
Oh, how do I feel about the past?

Others conquered love - but I ran
I sat in my room and I drew up a plan
Oh, but plans can fall through (as so often they do)
And time is against me now...

And there's no one left to blame
Oh, tell me when will you ...
When will you accept your life?
(The one that you hate)
For anything is hard to find
When you will not open your eyes
Every day you must say
Oh, how do I feel about my shoes?

They make me awkward and plain
How dearly I would love to kick with the fray ...
But I once had a dream
(and it never came true)
And time is against me now...
Time is against me now...

And there's no one but yourself to blame
Oh, anything is hard to find
When you will not open your eyes
Anything is hard to find; for heaven's sake!
Anything is hard to find
When you will not open your eyes
When will you accept yourself?
When?
When?
When?
When?

 

"Panic" - from Louder Than Bombs (1987)

Note: Morrissey wrote this song as a response to DJ Steve Wright's insensitive placing of Wham's vacuous "I'm Your Man" directly after a news report of the horrible Chernobyl disaster. Done live, Morrissey often twirled a noose around, wearing a T-shirt with the "zany" Steve Wright's face stamped, like a passport, with "HANG THE DJ." This song often prompted Morrissey to discourse on his hatred of "puerile" dance music, which he refers to in this song. (source: It May All End Tomorrow web)

Panic on the streets of London
Panic on the streets of Birmingham
I wonder to myself
Could life ever be sane again ?
The Leeds side-streets that you slip down
I wonder to myself
Hopes may rise on the Grasmere
But Honey Pie, you're not safe here
So you run down
To the safety of the town
But there's Panic on the streets of Carlisle
Dublin, Dundee, Humberside
I wonder to myself

Burn down the disco
Hang the blessed DJ
Because the music that they constantly play
It says nothing to me about my life
Hang the blessed DJ
Because the music they constantly play

On the Leeds side-streets that you slip down
Provincial towns you jog 'round
Hang the DJ, Hang the DJ, Hang the DJ
Hang the DJ, Hang the DJ, Hang the DJ

HANG THE DJ, HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG THE DJ, HANG THE DJ
HANG THE DJ, HANG THE DJ
Hang the DJ, Hang the DJ, Hang the DJ
HANG THE DJ

 

"Stretch Out and Wait" - from Louder Than Bombs (1987)

On the high-rise estates
What's at the back of your mind?
Oh, the three-day debate on a high-rise estates
What's at the back of your mind?

Two icy-cold hands conducting the way
It's the Eskimo blood in my veins
Amid concrete and clay
And general decay
Nature must still find a way
So ignore all the codes of the day
Let your juvenile impulses sway
This way and that way
This way, that way
God, how sex implores you
To let yourself lose yourself

Stretch out and wait
Stretch out and wait
Let your puny body lie down, lie down
As we lie, you say
As we lie, you say
Stretch out and ...
Stretch out and wait
Stretch out and wait
Let your puny body lie down, lie down

 

As we lie, you say :
Will the world end in the night time?
(I really don't know)
Or will the world end in the day time?
(I really don't know)
And is there any point ever having children?
(Oh, I don't know)
All I do know is we're Here and it's Now

So ... stretch out and wait
Stretch out and wait
There is no debate, no debate, no debate
How can you conciously contemplate
When there's no debate, no debate?
Stretch out and wait
Stretch out and wait
Stretch out and wait
Wait
Wait
Wait
Wait...

 

"Sheila Take a Bow" - from Louder Than Bombs (1987)

Is it wrong to want to live on your own?
No, it's not wrong--but I must know
How can someone so young
Sing words so sad?

Sheila take a, Sheila take a bow
Boot the grime of this world in the crotch, dear
And don't go home tonight
Come out and find the one that you love and who loves you

Is it wrong not to always be glad?
No, it's not wrong--but I must add
How can someone so young
Sing words so sad?

Sheila take a, Sheila take a bow
Boot the grime of this world in the crotch, dear
And don't go home tonight
Come out and find the one that you love and who loves you

Take my hand and off we stride
Oh, la la la la-la la la
You're a girl and I'm a boy
Oh, la la la la-la la la
Take my hand and off we stride
Oh, la la la la-la la la
I'm a girl and you're a boy

Sheila take a, Sheila take a bow
Oh, la la la la-la la la
Throw your homework into the fire
Come out and find the one you love
Come out and find the one that you love

 

"Ask" - from Louder Than Bombs (1987)

Shyness is nice, and
Shyness can stop you
From doing all the things in life
You'd like to

Shyness is nice, and
Shyness can stop you
From doing all the things in life
You'd like to

So, if there's something you'd like to try
If there's something you'd like to try
ASK ME - I WON'T SAY "NO" - HOW COULD I ?

Coyness is nice, and
Coyness can stop you
From saying all the things in
Life you'd like to

So, if there's something you'd like to try
If there's something you'd like to try
ASK ME - I WON'T SAY "NO" - HOW COULD I ?

Spending warm, Summer days indoors
Writing frightening verse
To a buck-toothed girl in Luxembourg

ASK ME, ASK ME, ASK ME
ASK ME, ASK ME, ASK ME

Because if it's not Love
Then it's the Bomb, the Bomb, the Bomb
the Bomb, the Bomb, the Bomb, the Bomb
That will bring us together

Nature is a language - can't you read ?
Nature is a language - can't you read ?

SO ... ASK ME, ASK ME, ASK ME
ASK ME, ASK ME, ASK ME

Because if it's not Love
Then it's the Bomb, the Bomb, the Bomb
the Bomb, the Bomb, the Bomb, the Bomb
That will bring us together

If it's not Love
Then it's the Bomb
Then it's the Bomb
That will bring us together

SO ... ASK ME, ASK ME, ASK ME
ASK ME, ASK ME, ASK ME
Oh, la la la la la da la...

 

"Back to the Old House" - from Louder Than Bombs (1987)

I would rather not go
Back to the old house
I would rather not go
Back to the old house
There's too many
Bad memories
Too many memories
There ...
There ...
There ...

When you cycled by
Here began all my dreams
The saddest thing I've ever seen
And you never knew
How much I really liked you
Because I never even told you
Oh, and I meant to

Are you still there ?
Or ... have you moved away ?
Or have you moved away ?
Oh ...

I would love to go
Back to the old house
But I never will
I never will ...
I never will ...
I never will ...

 

"Work Is a Four-Letter Word" - from Louder Than Bombs (1987)

Note: This song is a cover of a Cilla Black song, and it is one of many songs that shows the strong influence that 1960s women singers had on Morrissey.

Loving you is driving me crazy
People say that you were born lazy
'Cause you say that
Work Is A Four-Letter Word

So change your life
There is so much I know
That you can do
Come and see ...

Wide-awake
And take all of this love
That is waiting for you

If you stay
I'll stay right beside you
And my love
May help to remind you
To forget that
Work Is A Four-Letter Word

I don't need
A house that's a showplace
I just feel
That we're going no place
While you say that
Work Is A Four-Letter Word

So change your life
There is so much I know
You can do
Come and see ...

Wide-awake
And take all of this love
That is waiting for you

If you stay
I'll stay right beside you
And my love
Might help to remind you
To forget that
Work Is A Four-Letter Word
Oh ...

I don't need
A house that's a showplace
I just feel
That we're going no place
While you say that
Work Is A Four-Letter Word

So change your life
There is so much I know
That you can do
Please come and see ...

Wide-awake
And take all of this love
That is waiting for you

 

"Margaret on the Guillotine" - from Viva Hate (1987)

Note: This song is an obvious pointed attack on then British PM Margaret Thatcher. As a result of the song, Morrissey's flat was searched by the police. He documented this moment in a later song, "He Knows I'd Love to See Him":

Oh, my name still conjures up deadly deeds
And a bad taste in the mouth
And the police - they actually know me
They said :

"You're just another person in the world
You're just another fool with radical views
You're just another who has maddening views ...

The kind people
Have a wonderful dream
Margaret On The Guillotine
Cause people like you
Make me feel so tired
When will you die ?
When will you die ?
When will you die ?
When will you die ?
When will you die ?

And people like you
Make me feel so old inside
Please die

And kind people
Do not shelter this dream
Make it real
Make the dream real
Make the dream real
Make it real
Make the dream real
Make it real

 

"The National Front Disco" - from Your Arsenal (1992)

David, the wind blows
The wind blows ...
Bits of your life away
Your friends all say ...
"Where is our boy ? Oh, we've lost our boy"
But they should know
Where you've gone
Because again and again you've explained that
You're going to ...

Oh, you're going to ...
Yeah, yeah, yeah, yeah
England for the English !
England for the English !

David, the winds blow
The winds blow ...
All of my dreams away
And I still say :
"Where is our boy ? Ah, we've lost our boy"
But I should know
Why you've gone
Because again and again you've explained
You've gone to the ...

National, ah ...
To the National ..
There's a country; you don't live there
But one day you would like to
And if you show them what you're made of
Oh, then you might do ...

But David, we wonder
We wonder if the thunder
Is ever really gonna begin
Begin, begin
Your mom says :
"I've lost my boy"
But she should know
Why you've gone
Because again and again you've explained
You've gone to the :

National
To the National
To the National Front Disco
Because you want the day to come sooner
You want the day to come sooner
You want the day to come sooner
When you've settled the score

Oh, the National
Oh, the National
Oh, the National
Oh, the National
Oh, the National